官方一句话解释与翻译如下: If you have a slightly 'tired' system, our Origo cables can
really liven up the sound.
如果你的系统有一点让耳朵“累”的不自然或刺激的感觉,那么ORIGO能够毫无疑问的让声音充满自然的生气 美国权威机构评测如下:
Origo cables as reviewed by Robert H. Levi I have good news and bad news. The good news: Origo
Interconnect and speaker cable from Jorma Design of Sweden is,
based on my extensive auditioning, the most superbly neutral wire I
have ever heard. The bad news: none. Oh yes, it's a bit pricey at
$5250 per meter, but its competitors are even more expensive! Born
of the $11,000 per meter Jorma Prime cable [a combination of the
Origo's copper wire plus Bybee filters] the new Origo interconnect
is the latest and most expensive edition to the Jorma lineup sans
Bybees. Though I like the Prime a lot, I have never heard a
complete Prime system and know the included Bybees behave
differently and unpredictably in every application, and as such I
don't think they are necessary in this application. Why? Because
audiophiles at this exalted level already use top-notch power
conditioners and such making the Bybees superfluous. The Origo
joins another favorite of mine—the Kubala-Sosna Elation which have
a different sonic signature and similarly superb definition—as the
ultimate wires defining today's state of the art in
connectivity. 我带来一个好消息与一个坏消息,好消息是,瑞典JORMA
DESIGN的ORIGO系列次旗舰线材问世了,具有强大的自然度。坏消息是,他们非常昂贵。达到每米5250美元,不过,比老大PRIME的每米11000美元便宜了很多。ORIGO的定位是当今世上最佳的线材之一。
I have been cable rolling for half a century, searching for
the most transparent, neutral, unfailingly musical and harmonious
wire around. I started with Belden 8421 and Fulton cables…50 years
later… I am now listening and seduced by the Swedish Jorma
Origo…which in English translates to absolute zero. Absolute zero
just happens to be the amount of total interaction, coloration,
distortion, noise, and artificiality I detect that the Origo
contributes to a cutting edge super reference system like mine. The
Origo provides an extraordinary and sonically shattering
experience. I hope you love your amps, preamp, speakers, cartridge,
phono stage, and CD player because you will hear them naked and
revealed as never before when mated with the Origo. No tone
controls these! Meaning you may be happy or unhappy with your gear
with the Origo, because it will be your gear's innate flaws and
colorations you will clearly hear. Or, you may be in nirvana like
me, as one audiophile buddy remarked on hearing my system connected
with Origo. 我是线材的超级狂热分子,阅线无数。想当年我以BELDEN
8421开始玩线,直到现在,我在聆听瑞典的JORMA
DESIGN。ORIGO的英文意义是“纯粹的0”,即,无噪音,无失真,无音染,无影响。我发现ORIGO对于我的高级参考系统太重要了。他提供了非凡的表现力。当使用ORIGO系列,你会发现,你会爱上你的前级,后级,喇叭,唱放,CD机等等,因为ORIGO让他们发出前所未有的自然之声。声音没有任何死板。你器材的潜力会完全展示给你听。
I recently reviewed the amazing London Reference [Decca]
Phono Cartridge with the Origo as a tonearm wire between arm and
phono stage. Of the many fabulous wires with which I tried to
maximize the London, only the Origo brought it to life. This is the
most interconnect sensitive cartridge that I have ever reviewed and
it required the neutrality of the Origo.
The power and abounding definition of the London Reference is
dramatic because it has no cantilever. This direct coupling
eliminates a major dampener of LP energy and this is apparent from
the moment the stylus hits the record. Just about any coloration or
extra energy at any frequency (from the interconnects) will pervert
the London's performance. Add the Origo and you hear clarity,
smoothness, and mighty slam as harmonious as a master tape. All
other cables I had in house made the London sound rather lumpy and
bumpy or dry and ordinary. Only the Origo let the London be exactly
right. 加入ORIGO后,你会听到清澈的,顺滑的,如录音母带一样超级丰富和谐的自然细节,其他我拥有过的高级线材,无一达到如此对味。
以下再翻译另一篇文章
The Primary Review System The speakers are the Marten Birds from Sweden with diamond
tweeters and Accuton ceramic drivers. A REL Stadium III sub is
carefully tuned to 22Hz to provide the lowest octave. The amps are
two E.A.R. 890 stereo amplifiers ran in mono mode. The preamp is
the top of the line E.A.R. 912 Tube Preamp, and the CD player is
the E.A.R. Acute sitting on a Townshend Seismic Sink. The phono
stage is the solid state E.A.R. 324. The LP front end consists of
the E.A.R. Disk Master Magnetic Drive turntable, two Helius Omega
Tonearms one with Grado Statement1 cartridge and the other with the
London Reference cartridge. Power conditioning includes the World
Power Wing with all Kubala-Sosna Elation power cords. An Origo
power cord was used for a brief period. The entire system is
balanced throughout. 听感基于喇叭是马田的大鹏鸟,使用了钻石高音与阿古顿陶瓷中低音
Background As amps, sources, and speakers have improved over the last 20
years and became more neutral and reliably musical, cables have
lagged behind. Sure, there has been no shortage of cable brands and
models, but most lacked the applications of advanced science. This
is partly the fault of high-end equipment manufacturers who
continue to claim that cables are snake oil or that their gear or
speakers are so fantastic that nearly any cable from any top
manufacturer will work just fine. These manufacturers of great
front-end gear and speakers are just adding to the confusion. I
have discovered from hours of listening to acoustic music in the
form of LPs and CDs that compared to live unamplified performances
I am very close to reliably reproducing the real thing in my home
with two-channel reproduction! If you have the finest and most
advanced electronics, speakers, and table like the E.A.R. Disk
Master Turntable combined with the London Reference Cartridge, then
proper connectivity is very probably all that's separating you from
duplicating a compelling sound in your home. I heard this in the Hansen room at CES with the huge and
spectacular top of the line Hansen speakers, all Tenor electronics,
DCS front end, and Kubala-Sosna Elation wires and AC cables. It was
real music in real space when playing my reference CDs. Do you
think that it would have sounded just as good with some lesser
cabling? No way! How about Radio Shack or Best Buy wires, not a
chance! Wires are truly important and essential components in
getting the best from the best! 线材对于一套系统是至关重要的,没有优秀的线材,你的系统不可能发出好声音,即便器材本身再昂贵也没用
Jorma Origo The Performance or the Sound of
Nothingness The Origo sounds quite unique. Its rendition of neutral is
easy to hear and very attractive, but a sonic surprise
nevertheless. I hear no added or subtracted dynamics to the musical
flow at any frequency, subtle or otherwise. I hear no euphonic
glazing or etch no matter how tiny. I hear no subtraction or added
color to system definition from what should be there. Dynamics are
precisely natural and even-natured top to bottom. The bass is most
tuneful and highly detailed down to the lowest note. I can say the
same of the mid-band and high-band responses. Ambience retrieval is
unequaled. Airiness is unmatched. Imaging is top drawer. It's like
driving a brand new Ferrari on a racetrack for the very first time;
one you just received as a