什么叫经典？－经典就是那种吸引你多次阅读，而每一次阅读都会带来惊喜的著作。
轻与重 －谁轻谁重？
轻与重 －谁轻谁重？
新浪博客
- Tomáš - The story's protagonist（主角）: a Czech surgeon and intellectual. Tomáš is a light-hearted womanizer （轻浮放荡的花花公子）who lives for his work. He considers sex and love to be distinct entities: he copulates （交媾） with many women but loves only his wife, Tereza. He sees no contradiction between these two positions. He explains womanizing as an imperative to explore female idiosyncrasies （特质）only expressed during sex. At first he views his wife as a burden whom he is obligated to take care of. After the Russian invasion, they escape to Zurich where he starts womanising again. Tereza, homesick returns to Prague. He quickly realises he wants to be with her and follows her home. He has to deal with the consequences of a letter to the editor in which he metaphorically likened the Czech Communists to Oedipus. Eventually fed up with life in Prague under the communist regime, he moves to the country with Tereza. He abandons his twin obsessions of work and womanizing and discovers true happiness with Tereza. His epitaph is He wanted the Kingdom of God on Earth.
- Tereza - Young wife of Tomáš. A gentle, intellectual photographer, she delves into dangerous and dissident photojournalism during the Soviet occupation of Prague. Tereza does not condemn Tomáš for his infidelities, instead characterizing herself as a weaker person. Tereza is mostly defined by her view of the body as disgusting and shameful, due to her mother's embrace of the body's grotesque functions. Throughout the book she fears simply being another body in Tomáš's array of women. Once Tomáš and Tereza move to the countryside she devotes herself to raising cattle and reading. During this time she becomes fond of animals, reaching the conclusion that they were the last link to the paradise abandoned by Adam and Eve, and becomes alienated from other people.
- Sabina - Tomáš' favorite mistress and closest friend. Sabina lives her life as an extreme example of lightness, taking profound satisfaction in the act of betrayal. She declares war on kitsch and struggles against the constraints imposed by her puritan ancestry and the Communist party. This struggle is shown through her paintings. She occasionally expresses excitement at humiliation, shown through the use of her grandfather's bowler hat, a symbol that is born during one sexual encounter with Tomáš, before it eventually changes meaning and becomes a relic of the past. Later in the novel she begins to correspond with Simon while living under the roof of some older Americans who admire her artistic skill. She expresses her desire to be cremated and thrown to the winds after death - a last symbol of eternal lightness.
- Franz - Sabina's lover and a Geneva professor and idealist. Franz falls in love with Sabina whom he considers a liberal and romantically tragic Czech dissident. Sabina considers both of those identities kitsch. He is a kind and compassionate man. As one of the novel's dreamers, he bases his actions on loyalty to the memories of his mother and of Sabina. His life revolves completely around books and academia eventually to the extent that he seeks lightness and ecstasy by participating in marches and protests, the last of which is a march in Thailand to the Cambodian border. In Bangkok after the march, he is mortally wounded during a mugging. Ironically, he always sought to escape his wife Marie-Claude's kitsch, but dies in her presence, allowing Marie-Claude to claim he always loved her. The inscription on his grave was: 'A return after long wanderings.'
- Karenin - The dog of Tomáš and Tereza. Although physically a female, the name given always alludes to masculinity, and is a reference to Anna's husband in Anna Karenina. Karenin displays extreme dislike of change. Once moved to the country, Karenin becomes more content as he is able to enjoy more attention from his owners. He also quickly befriends a pig named Mefisto. During this time Tomáš discovers that Karenin has cancer and even after removing a tumor it is clear that Karenin is going to die. On his deathbed he unites Tereza and Tomáš through his 'smile' at their attempts to improve his health. Tereza invents an inscription for his grave: 'Here lies Karenin. He gave birth to two rolls and a bee', a reference to a recent dream.
相反，当负担完全缺失，人就会变得比空气还轻，就会飘起来，就会远离大地和地上的生命，人也就只是一个半真的存在，其运动也会变得自由而没有意义。
那么，到底选择什么？是重还是轻？在周郎看来，是轻还是重，全在受者的感受。