清代乾隆年间白釉雕瓷深山访友盖罐，精品推荐
2019-04-07 15:40阅读：
导语
Introducer
清代，专门从事雕瓷生产的作坊和技艺人员越来越多，工艺技法多样，有圆雕、捏雕、镂雕、浮雕等。品种从家庭陈列欣赏品、小玩具、清供祭祀器皿、实用雕瓷，到用于建筑的装饰部件等，应有尽有；雕刻题材也非常广泛，有神佛菩萨；有神话、小说、戏剧中的人物；还有飞禽走兽，以及反映当时民间生活的各种题材。很多题材的作品都是成套成对，寓意吉祥。比如福禄寿三星、八仙、十八罗汉、对鹿、对象、对狮、对鸭、对孔雀、对鹦鹉等等，这种造型在当时普遍流行。清代雕瓷产品已广销国内外，景德镇是我国重要的雕瓷产区之一。
In the Dynasty, more and more workshops and technicians
specializing in the production of carved porcelain were engaged in,
with various techniques, such as round carving, kneading carving,
carving, relief, etc. Varieties range from household displays of
appreciation, small toys,sacrificial utensils, practical carved
pottery, to decorative parts used in buildings; carving themes are
also very wide, including Buddha and Bodhisattva; figures in myths,
novels and dramas; as well as birds and animals, and various
subjects reflecting folk life at that time. Many themes of works
are set in pairs, meaning auspicious. For example, three stars,
eig
ht immortals, eighteen deer, object, lion, duck, peacock, parrot
and so on, this style was popular at that time.
Dynasty
carved porcelain products have been widely sold at home and abroad,
en is one of the important carved porcelain producing areas in
China.
圣约翰国际拍卖有限公司
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重点推荐：
清代乾隆年制白釉雕瓷深山访友盖罐
Key recommendations:
g White Glaze Carved Porcelain Deep Mountain Visitor
Cover Cans
雕瓷是以镂雕、浮雕等雕刻技法，对陶瓷器进行装饰的一种工艺，其历史悠久，形式多样。进入清代，雕瓷技法又有了新的发展，尤其是乾隆年间，雕瓷工艺发展到全盛期，雕瓷在整个制瓷业中也占有相当的比重。
Porcelain carving is a process of decorating ceramics by
carving, relief and other carving techniques. It has a long history
and various forms. Entering the Qing Dynasty, the carving technique
of porcelain had a new development. Especially in the Qianlong
period, the carving technique of porcelain had reached its peak,
and the carving technique also occupied a considerable proportion
in the whole ceramic industry.
白釉是瓷器传统釉色之一，真正的白釉应该是乳白色的乳浊釉，瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉
。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,而是将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上,入窑高温烧制而成的透明釉,
釉色因白润瓷胎的映衬而显出白色,现在习惯上将这种透明釉也称为白釉。
白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。
White glaze is one of the traditional glaze colors of porcelain.
The real white glaze should be opaque opaque opaque glaze. The iron
content in the glaze of porcelain should be reduced to less than
0.75%. White glaze will appear when it is applied to the white
ceramic body and fired at high temperature in the kiln. Strictly
speaking, white glaze is a colorless transparent glaze, not a white
glaze. White glaze is one of the traditional glaze colors of
porcelain. The real white glaze should be opaque opaque glaze,
which was invented only in modern times. In ancient China, only the
Yuan Dynasty pivotal glaze was impermeable. Other white glazes were
not white glazes. Instead, glazes without metal oxide coloring
elements were applied to white utensils. The glazes were fired at
high temperatures in kilns. The glaze color was white because of
the contrast of the white moist ceramic body. Now it is customary
to call this kind of transparent glaze white glaze.
The firing process of white glaze is more complicated than that of
blue glaze, and the appearance time of white glaze is later than
that of blue glaze. Generally, ceramic clay and glaze contain more
or less iron oxide, which will inevitably show different shades of
blue after firing. If the iron content in glaze is less than 0.75%,
it will be white glaze.
深山访友中近景为山水环绕的山间隐居之处，一位年长的人带走一个小孩去探望山林中的友人，信步漫游于柳阴桃花之间，树丛中透出的屋顶或许是深山幽静的凉亭。远处高山崇峻，瀑布凌空而下，山脚下有路蜿蜒相通，云遮雾障，一派春意盎然的景象。从此幅图可以看出，作者善于将人物的活动和对自然山川的描绘融为一体，而且在技法、雕刻图、山石的皴法等方面都自具风格，体现了清代乾隆年间的艺术成就。
In the mountain Hermitage surrounded by mountains and rivers,
an elderly man took a child to visit his friends in the mountains
and woods, strolled among the peach blossoms in willow Yin, and the
roof of the trees might be a quiet Pavilion in the deep mountains.
In the distance, the mountains are high and the waterfalls are
flying down. At the foot of the mountains, there are roads winding
through each other, clouds covering the fog barrier, and a scene
full of spring. From this picture, we can see that the author is
good at integrating the activities of the characters and the
description of natural mountains and rivers, and has his own style
in techniques, sculptures and stone chains, which reflects the
artistic achievements of the period in the Qing
Dynasty.
此件白釉雕瓷深山访友盖罐是乾隆年间的精品，制作的工程中工艺非常复杂。上面所雕刻出来的比在纸上画还要难，工匠的手艺精湛的展示了这件瓷器的不俗之处，瓷器上面凹凸有秩、手感非常好，是难得的精品。
This white glazed carved pottery cover pot for deep mountain
visitors was a fine product during the period, and its
manufacturing process was very complicated. The carving above is
more difficult than drawing on paper. The craftsman's exquisite
craftsmanship demonstrates the vulgarity of the porcelain. The
concave and convex top of the porcelain has rank, and the hand feel
is very good. It is a rare fine product.
清代乾隆年制白釉雕瓷深山访友盖罐
Dynasty White Glaze Carved Porcelain
Deep Mountain Visitor Cover Cans
直径：22厘米 口径：7.3厘米
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